Be Here Now
Dr Wippit • October 4, 2012

I never had the eyes to see into the present

I never was the one to be here now

I’m forever searching for the place where I am standing

I never seem to set my feet aground

But I’ll get there

When I’m good and ready I’ll be there


You’ll find me living for a future that won’t happen

Reflecting on a past that’s never been

One day I’ll finally find myself living in that very special moment

And I hope that you’ll be there


And I’m dreaming again

What did I miss I’m finding wicked ways to pinch myself awake

I see you screaming again

Cause I forgot to read your lips

I wasn’t listening again

Don’t hold it against me


A holy man once said just be yourself the answer lies within

Do you know the way?

How do I get there? Am I getting close?

I’ve been trying to be everyone and everything that makes me want to stay

And I’ll get there

When I’m damn good and ready I’ll be there


I keep trying to listen for the sound of silence

All I here is a white noise coming from my brain

It seems I just can’t sit still long enough to see what I’ve been holding onto

And let go of the pain


And I see it again that magic dream I once knew

Could it be I’ve been my own worst enemy?

Can I be it again that super hero I once knew?

Back when everybody still believed in me


I lost it and I just can’t feel it

Try to drop it but I keep on holdin’ on

Wide open and I can’t stop bleedin’

Try to drop it but I keep on holdin’ on


 


I wrote this song sometime after The Kenilworth Project was over, and it was the first time I sat down to write with an acoustic in a decade. As such the song quickly became personal and introspective. There are a few songs I’ve written where the words just seem to come out with no effort and this is one of those. It’s as if the song had been waiting to be written. And after years of playing full throttle punk/metal/ska stuff it was probably overdue. I touch on my own perceived shortcomings – hearing loss, lack of focus, using the past as an excuse for not succeeding, all things that keep me from living in the moment – thus the title.


It seems like there’s an unwritten rule about the fact that there’s supposed to be more than two parts to a song. Of course there’s the verse and the chorus, but it’s not a complete song without some kind of bridge or pre-chorus or something that uses a different progression/melody than the other two parts right? Well I thought I’d go ahead and call this one complete without that third part. At some point though I started doing this little two chord thing at the end that was a little different, and words came for that part right away to so I kept it. Once I got the instruments recorded on this one I began the endless process of trying to get an acceptable vocal. Eventually I got something I could live with, but even back in ’07 when I finished it, I knew I’d redo the vocals and saved an instrumental version just for that purpose. I proceeded to shoot and edit what should be widely recognized as the worst green screen video in history. I paid $6 for a green screen over the internet, hung it on a wall in my living room and shot myself in different outfits with the different instruments. I shot on a couple of different weekends so I could get a hair cut and varying amounts of facial hair. It never occurred to me to check and see how the green screen thing was working until I had collected all my footage. You can see the result below. I had a lot of fun though and it was certainly a learning experience.


Fast forward to 2012 and I’m getting ready for An Anthology of Sorts and of course I want to redo the vocals. Back when I recorded the original I was using Sony’s (Sound Forge when I started using it) Acid software to record. I still have those files but I’m using Adobe Audition now, so if I wanted to do anything with the instrumental mix it would mean hours of pouring the guitar and bass takes and trying to line them up again, or buying a fresh copy of Acid to remix this song. There are a couple of things I would have liked to tweak, but not that much. So new vocals over the instruments from ’07 and I’m still not 100% happy with the vocals, but I think it’s ready for prime time.


UPDATE:
Fast forward to 2023 and I've had the song rerecorded by
Aerugo Productions and just added new vocals from myself. This is what you hear above, the original is what you hear below.


Tracers - Sunday at Sam's
By Dr Wippit September 26, 2024
For eight songs recorded straight to analog and mixed in a few hours, I think we did pretty well. In those days, you might be able to punch in a part, but there was certainly no "fixing" anything with digital magic.
A green and purple painting of a man 's head with the words never again on it.
By Dr Wippit March 21, 2024
So I have a new release featuring two heartfelt love ballads. The first track, "Never Again," is a song I wrote in the 90s, at the time I was shooting for a soulful R&B song with its raw emotion and smooth vocals. I'll be the first to admit that smooth vocals aren't my specialty.
A sunset with trees in the foreground and mountains in the background
By Dr Wippit July 28, 2023
The new EP is out on all the streaming platforms. Details on the songs are below the links.
A black and white photo of a man with a beard
By Dr Wippit January 4, 2023
I started writing the song For Everyone about ten years ago. Like most of the songs I write, it started with a chord progression followed by a vague idea of what the melody could be. One day I was driving and listening back to an acoustic strumming the chords, and the beginning of the chorus just came to me out of the blue: When do we get to the part where we stop hurting each other? How do we get to the place where we stop breaking each other down? It had been some time since I wrote a song with a "message" and this one seemed to be writing itself. Suddenly, I felt this one needed to be done in a hurry and rushed out. I already had a couple of new songs close to the finish line, Yup and Paying for Lessons. Now I felt like I was close to getting an EP worth of material , and I wanted to get it to the masses. It didn't take more than a couple of days to get the lyrics finished, now I had a song I could play on an acoustic, but I wasn't sure where it would go from here. I brought it to the studio where my stepsons worked on music and asked if they wouldn't mind learning it real quick and putting down bass and drums, I was still just strumming an acoustic. I think we wen't through the song all of three times and I brought home the acoustic, bass and drum tracks. In the big picture, I wanted this to have electric guitar instead, so I recorded a kind of funky electric riff over the drums and bass, put power chords over the chorus, and then another track of lead throughout the song. The final touch I figured it needed was female backups on the chorus. At the time I was in a cover band and I got the female vocalist from Tastes Like Chicken to sing a three part arrangement I put together, and I figured it was ready for prime time. Since this was the song with the message I made it the title track of my EP, and I rushed it out to CD Baby and all the streaming services. You can check out that version here:
A man with a beard is playing an acoustic guitar in a room.
November 13, 2022
So I found out Covid was "real" as I was in the office at my new job getting ready for a weekend of Frozen Dead Guy Days in 2020. The event was canceled 24 hours in advance and shut downs and work from home was happening immediately.
A man with a beard is playing an acoustic guitar in a room.
By Dr Wippit November 12, 2022
In the six days between the first two Covid shows, I decided the shows should have themes, I sure can't play the same songs every week right? The expectation was the same small handful of friends would show up and they deserve something better than a repeat.
A man with a beard is playing an acoustic guitar in a room.
By Dr Wippit November 11, 2022
For the third episode I stepped the sound up with a mixer so I have a stage mic and my guitar on separate channels and effects streaming with the video. I also started trying to pull off using a looper built into my guitar pedal. The looper pedal thing isn't my forte, just wanna play a solo here and there you know. I do think the set ends well. I played this full set with acoustic/electric but I already have my eyes set on electric.
A man with a beard is playing an acoustic guitar in a room.
By Dr Wippit November 10, 2022
That's right I opened the show streaming to the wrong page, the Tastes Like Chicken page. So nobody saw it as it happened, but there it is. The Dr Wippit page stream starts with Margaritaville, a better lock down song to be sure.
A man with a beard is playing an acoustic guitar in a room.
By Dr Wippit November 10, 2022
The first time I opened with a Pink Floyd reference. I’m starting to kind of feel like there’s regulars for these. Am I going through the trouble of putting on a shirt and hat for something? Yes.
A man with a beard is playing an acoustic guitar in a room.
By Dr Wippit November 9, 2022
April 26th, 2020 My first attempt to use the looper (Summer Breeze) is a terribly painful four starts, but it gets going eventually, and I need to practice this now. My snide comment about people requesting songs "I already played in other sets" goes to show how seriously I'm taking myself at this point, but really I'm just trying to play a whole new set every week to see if I can do it.
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